Plausible Rock ‘N’ Roll Conversations
1973. England. The Wailers—including Bob Marley, Peter Tosh, and Bunny Wailer—have just taped a performance for The Old Grey Whistle Test.
BOB MARLEY: That wasn’t too bad.
PETER TOSH: No. Not bad at all. Pretty good show.
BOB: This weather is really crappy though.
PETER: Sure is.
BOB: Can I ask you a question, Peter?
PETER: Sure.
BOB: When we play together, what do you think about?
PETER: What do you mean?
BOB: I mean, what do you think about when you’re playing guitar? What inspires you?
PETER: I guess I’m still a little unclear about what you’re asking.
BOB: For instance, when we play a song like “Stir It Up”—a song that has so many connotations, sexual, political—I think about a whole bunch of things: Rita, Jamaica, His Most Excellent Hailie Selassie, the slowly churning gears of revolution. Different things depending on my mood, but always things that mean a great deal to me and cause me to create really fantastic music. Do you see what I’m saying?
PETER: Yeah. Yeah, I think I get what you’re asking now.
BOB: So what do you think about?
PETER: Soup.
BOB: Soup?
PETER: Yeah. Soup. I think about soup.
BOB: What . . . kind of soup?
PETER: Oh, all kinds. Usually something creamy. But not too thick. Sometimes something spicy, like mulligatawny. It varies. You know, like you, depending on the mood I’m in.
BOB: So . . . .when I play my music, I think about throwing off the shackles of our oppressors and unifying the world . . . and you think about soup?
PETER: That sounds about right.
BOB: I guess that’s kind of the same. But not really.
PETER: How isn’t it the same?
BOB: You think about soup; I think about revolution.
PETER: Soup is a kind of revolution, Bob.
BOB: [slight pause] What?
PETER: What?
BOB: Do you think about soup just when we sing “Stir It Up” or on every song we play?
PETER: [reflects for a moment] I think about soup pretty much every time I play any song.
BOB: Oh.
BOB MARLEY: That wasn’t too bad.
PETER TOSH: No. Not bad at all. Pretty good show.
BOB: This weather is really crappy though.
PETER: Sure is.
BOB: Can I ask you a question, Peter?
PETER: Sure.
BOB: When we play together, what do you think about?
PETER: What do you mean?
BOB: I mean, what do you think about when you’re playing guitar? What inspires you?
PETER: I guess I’m still a little unclear about what you’re asking.
BOB: For instance, when we play a song like “Stir It Up”—a song that has so many connotations, sexual, political—I think about a whole bunch of things: Rita, Jamaica, His Most Excellent Hailie Selassie, the slowly churning gears of revolution. Different things depending on my mood, but always things that mean a great deal to me and cause me to create really fantastic music. Do you see what I’m saying?
PETER: Yeah. Yeah, I think I get what you’re asking now.
BOB: So what do you think about?
PETER: Soup.
BOB: Soup?
PETER: Yeah. Soup. I think about soup.
BOB: What . . . kind of soup?
PETER: Oh, all kinds. Usually something creamy. But not too thick. Sometimes something spicy, like mulligatawny. It varies. You know, like you, depending on the mood I’m in.
BOB: So . . . .when I play my music, I think about throwing off the shackles of our oppressors and unifying the world . . . and you think about soup?
PETER: That sounds about right.
BOB: I guess that’s kind of the same. But not really.
PETER: How isn’t it the same?
BOB: You think about soup; I think about revolution.
PETER: Soup is a kind of revolution, Bob.
BOB: [slight pause] What?
PETER: What?
BOB: Do you think about soup just when we sing “Stir It Up” or on every song we play?
PETER: [reflects for a moment] I think about soup pretty much every time I play any song.
BOB: Oh.
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